Tag - lifeinMombasa

Jina Langu ni Stephanie Maseki

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  1. Your name and what do you do?
  • My name is Stephanie Maseki
  • I am a social worker by profession
  • I am now a full time actor and a producer by virtue of love and passion for theatre with a theatre company called Stan Savannah based in Mombasa.
  • I am also a 4th year Psychology student at Nairobi University
  1. What was your first play you produced?

Zuena was my first play to produce and actually write in March 2013. It is an original script on anti drugs. This play received an enormous number of audiences.

  1. How do find the art scene in Mombasa?
  • Art scene in Mombasa is challenging but its catching up. Art in terms of music has a good hype but theatre is a bit lacking. I don’t want to believe in the nortion about culture having anything to do with it; why? Because once ago in Mombasa people went to the theatres to watch plays.
  • I want to think that marketing is the biggest challenge we have as an industry. With a good hype, I believe we gonna reach the optimum in terms of an audience reach.
  • The audience are waiting an wanting, but they have no information.
  1. Artist are under appreciated in Mombasa, do you think this will change?
  • Yes, this will and can change if artists themselves take their work seriously and present themselves accordingly to the society as professionals.
  • The artist must take this profession serious so that the audience compliments him/her, not the other way round.
  • We need to change the mindset of the society and it starts with me and you as an artist.
  1. How do you prepare for a play?
  • How do I prepare for a play? This is a long one. There are a few steps to be followed:-

Step 1: As an actor first you need to get the script

Step 2: Read the Play Many Time

A deep reading of the play is important. No matter what your role is in a play you    must read the script many times. read a play will. When you read a script, read every word. New actors often read only their scenes, and some only read their lines. Others will decide to not read the stage directions. Read the play from beginning to end. And, because it’s a play, it’s not a bad idea to read it aloud.

Step3: Deep Reading

There is a basic three-step process that one can employ. It involves three readings of the play, and it’s designed to help an actor begin to understand their character and how that character fits within the context of the play.

Reading the Play Three Times

  1. First reading is devoted to understanding the plot, getting to know who the characters are, getting a handle on the time, place and action, etc.
  2. Second reading focuses on getting to know EVERYTHING you possibly can about the character you are playing. From the evidence the playwright gives you, create your character in every manner possible.
  3. Third reading consists of reading the play in an attempt to see how your character fits within the entire thematic context and dramatic action of the play. Why is your character in the play and what purpose do they serve?

Step 4: Know Your Lines

  • Be as ready as you can be to work with your director. Many actors learn a large percentage of their lines before they ever get into rehearsal. You should arrive at rehearsal with a strong understanding and solid knowledge of what you are saying and doing and why.

Step 5: Come Into Rehearsal with Ideas

  • When you finally start the rehearsal process hopefully you will have a director who has a strong and clear vision of the script and who will be able to work with you and all of the actors in discovering how to bring the play to life. Whether this is the case or not, you should come into rehearsal with ideas for each scene, knowledge of what your character wants overall and in every moment of the play

Step 6: Be Ready to Act

  • Be ready for anything. When you are in rehearsal you should be ready to act, that is, to work. That means being attentive to your director, focused on the script and the process, and acting and reacting in scenes. When you are not in a scene you should be reviewing staging, learning lines, or trying to discover more about your character. Acting is hard work and it calls for a lot of preparation prior to the start of rehearsals and attentiveness throughout the process. If you are the type of actor who arrives ready to work, you will become a person with whom directors like to work, and that means you will be employed often.
  1. How many plays have you written and produced?
  • I together with my colleagues have written and produced 9 plays since 2013. These are all original plays, all thematic, educative and purely entertaining!
  1. What would be your dream role, and how do feel you will bring it out?
  • An actor cannot afford to have a dream role. If you do, you block all other avenues of doing other roles while looking forward to doing that particular role. So what happens when you never get a chance to do you dream role? It dies. So an artist should be open minded and experimental so long as they take up roles that elevate them to another level in their acting career.
  1. Apart from Little theatre club, there is no other theatre in Mombasa. Do you think the county government is doing enough to promote plays and artists?
  • No it’s not. Unless I don’t know anything about it which is unlikely. These are politicians, I don’t think they understand what art it, I don’t blame them; but if there are offices appointed by the county to carry out the duty of uplifting theatre, then that is the one sleeping on their work.
  • Mgala muue na haki umpe, a few individuals visit the theatre once in a while but there is no much talk about it for implementation of theatre projects. Maybe we as artists are not enthusiastic about it and that’s why they don’t see the urgency.
  1. What are your future projects people should know about?
  • Currently I am working on a musical play; it’s the Christmas season, I want to give the audience a test of what Christmas is all about. Love, Thanksgiving and Forgiveness. So yes, The story of Mary and Joseph on the 12th @7pm and 13th @4pm Dec, 2015.
  • February I am working on a piece to bring to light the stigma in the society surrounding Rape. Play: CODE OF SILENCE
  • A theatre training program as well in April. Our calendar of events will be available during the showing on the 12th & 13th
  1. Parting shot

For us to bring back the hype in theatres, I urge the media to support production houses in marketing the plays.I also urge the county government of Mombasa to support the artists by also renovating the theatre to a modern facility. Audience have actually really complained about how old fashioned the place is. I urge the members of the public to come to the theatres;

One: to support art.

Two: to have the exceptional experience they never have when they watch movies on screens. Theatre is a reflection of our society I would say.

Facebook page: Stan Savannah

Email: stansavannah18@gmail.com

Contacts:  +254 722 988 353 or  +254 722 163 571

The Beauty of Heena

Every Eid and during weddings women in Mombasa adorn their hands with floral henna patterns, some with the black dye and others natural henna.

In Mombasa, there are henna artist who do the henna designs around town but the most common place is called Bin Sidiq center on Bawazir Lane. There are few salons located inside the shopping arcade that primarily do henna art. In addition, you can find a few on Facebook where you can see samples of their work before you visit them and book online.

 

The designs depend on status, for little girls normally a small simple design pattern suffices. For a single girl, the art goes just up to the wrist of the hand whereas for married women it is not restricted.

It is believed that a woman must always adorn her hands with henna to look beautiful for her husband so that whenever she is with him, he sees the beautiful and colourful artwork.

The price starts at 300 kshs for a smaller design i.e to the wrist and the higher the design on the hand it goes the higher the price.  Bridal designs are different from the other designs because it is the bride’s first night with her husband she has to look extra beautiful.

Different cultures have specific designs; you can Indian design Mehndi or United Arab Emirates Khaleeji style, also Sudanese black dye style.

The process includes mixing the henna powder with water, and the designer puts the wet henna in a cone which is used to draw with. Once the henna is applied on your skin, you wait for about forty five minutes to one hour for it to dry.After that, you just peel off the dried henna and normally you are advised not to touch water for 6-8 hours so the henna can darken preferably overnight. These days henna is mixed with a thinner which speeds up the process of drying.

The Craft Market at City Mall

Every Wednesday and Thursday, City Mall Nyali dedicates part of the parking lot for the craft market which promotes local curio businesses. The market was first introduced two years ago by craft producers and was registered as Craft Market.

On display at the craft market are various items such as hanging ornaments, kitchen wares, bedding, clothing, sandals and wearable accessories. The price ranges cost as low as kshs 100 to over kshs 5000, depending on your purchase.

Most vendors also design the accessories, adding a twist to make their pieces different and unique.

Each accessory produced represents some of the craftsman’s personality, making the items exquisite in every aspect.

Looking for quality and locally made crafts? The craft market makes it easier for you to be trendy on a low budget. The items sold there are diverse in colour, texture, design and material to cater for all ages and genders. There is something for everyone.

The organization is open to curio/crafts sellers and supports all kinds of groups. Youth and women groups who would like to join to promote their work are welcome.

So next time you are at City-Mall on a Wednesday or Thursday stop by between 8am and 8pm for the beautiful souvenirs.

Below are pictures from The craft Market at City-Mall.

Jumba la Mtwana

The full name Jumba la Mtwana means in Swahili “the large house of the slave”. Within this area four mosques, a tomb and four houses have survived in recognizable condition. These houses include the House of the Cylinder, The House of the Kitchen, The House of the Many Pools, which had three phases, and the Great Mosque. The inhabitants of this town were mainly Muslims as evidence by a number of ruined mosques.

There are no written historical records of the town but ceramic evidence showed that the town had been built in the fourteenth century but abandoned early in the fifteenth century. The dating is based on the presence of a few shreds of early blue and white porcelain with lung-chuan celadon, and the absence of any later Chinese wares.

It is most likely the site’s strategic position was selected because of the presence of fresh water, exposure to the North East and South East breezes which would keep the people cool and its safe location from external attacks by sea since it had no harbor, thus larger vessels had to anchor along way offshore, or move probably in Mtwapa creek. One can only therefore guess reasons for its eventual desertion, namely trade interruption, hostile invasion or a failure in water supply. Though there is need to pursue further research on this.
Clearance and excavation of the ruins were first carried out in 1972 by James Kirkman with a view of dating the buildings, its period of occupation and consolidating buildings which were in danger of collapse. Ten years later in 1982, Jumba la Mtwana was gazetted as a National Monument. Thus Jumba is legally protected under Antiquities and Monuments Act Chapter 215 of the Laws of Kenya.

Excerpt from National Museums of Kenya

Mombasa Instameet #wwim12_Mombasa

Every few months Instagram hosts a worldwide instaMeet, basically photo enthusiasts coming together to take photos and videos and upload on instagram.

A definition as per their blog “An InstaMeet is a group of Instagrammers meeting up to take photos and videos together. That’s it! An InstaMeet can happen anywhere and be any size. They’re a great opportunity to share tips and tricks with other community members in your area, and an excuse to get out and explore someplace new!”

A group of people or an individual can plan and organize an instaMeet in their city and invite others via Instagram.

In the beginning of October 2015, Instagram called out for worldwide InstaMeet number 12. The theme was #WWIM12 is to share #todayimet portraits of the people you meet at the InstaMeet.

For Mombasa we held the Instameet at Mombasa Butterfly House, located next to Fort Jesus. The Mombasa Butterfly House has on display butterflies that have been purchased from community groups living adjacent to key coastal forests, including the Arabuko-Sokoke Forest.

About 20 people attended the event, we enjoyed getting know one another and capture the different species of butterflies that inhibits the gardens. We were given a tour of the garden, and a few facts on Butterflies and the House itself.

Below are scene captured from the InstaMeet


 

 

Nguuni Nature Sanctuary

Nguuni Nature sanctuary is located 4km from Lafarge Bamburi Cement on the Nguu Tatu Hills; the amazing sanctuary is the home to many species. Including Giraffes, elands, oryx, waterbucks, ostriches and many species of birds have made Nguuni their home. Large Doum Palm crowned by Leopard Orchids are scattered in the grassland.

Nguuni offers a beautiful location to view the sunset, also caters to weddings, camps and barbecue sundowners. At sunset Giraffes make their way to the picnic area for feeding. You can experience feeding the giraffes without gates or barriers, an exquisite experience only at Nguuni.

I had the privilege of visiting Nguuni during a sunset and the experience was magical and enchanting, I had the experience to feed the giraffes who made their way to the picnic area, as the sunset the giraffes made their way back to the grassland. The backdrop of the landscape and giraffes walking away was very beautiful and delightful.

Below are photos from the trip.


Mwembe Tayari Memorial

 

 

 

 

Memory of Arab and Native African troops who fought the carriers who were the feet and hands of the army and to all other Men who served and died for their kin and country in Eastern Africa in the great war of 1914-1918. The Monument is located on Jomo Kenyatta avenue at Mwembe Tayari area.


 

Duka La Abdalla Leso

Located in the heart of Biashara Street, Duka ya Abdallah under the Kaderdina Hajee Essak Ltd have been around since the forties of the nineteenth century. Mali ya Abdalla Leso has become a household name in Mombasa and other parts of the world.

The leso is a rectangular piece of material made of pure cotton. It measures approximately 150 x 110 cm, and is wide enough to cover a person from the neck to knees or from breast to toe. All lesos have fairly broad borders (pindo) all around and are printed in bold designs and bright colours. Lesos are bought in pairs – a pair is known as a gora – and are most attractive and useful as a pair. A gora of lesos is joined along the width of the fabric when bought. The buyer then cuts along the width and hems each of the two pieces of lesos to prevent fraying of the sides of the fabric. The leso is also known as the Khanga – the names are interchangeable. – Duka Ya Abdalla

The saying is the crucial part of the leso, it sends a message, and it tells a story to others. Others are made for gifts to newlyweds, to new parents and etc. Once you step into the shop you look for two things in the leso- the saying and colour patterns of the leso. Choosing a name depends on the occasion of the purchase of the leso. If it is for a newlywed, one with beautiful colours and congratulatory words will be ideal.   A tradition that used to be common in Mombasa is when neighbors quarrel they just argue through sayings of the leso, one will wear a Leso with a saying that indicates hate to the other. Duka Ya Abdalla gets the sayings from anyone who gives them suggestion, they accept from the general public.

So if you are in Mombasa, take a walk to Biashara street to Duka ya Abdalla shop and peruse through the different patterns and colours of the lesos showcased.

In the meantime here are some samples from my visit to Duka ya Abdalla shop.


Beach Life

Our beautiful coastline In Kenya is our major asset for tourist attraction, a walk at the white sandy beach is the most picturesque appeal. With our recent insecurities many hotels along the coastal cities are suffering due to the low visitor turn out. Many hotels have closed and others are barely making it. Now the only way to survive is to appeal to local tourist, creating packages that will cater to coast residents and other Kenyans.

Most hotels have special packages from Nairobi, some even include transportation from Nairobi. The only way to survive is to find a small incentive from other hotels to stand out. But a trend that has emerged that appeal to coastal residents is lunch buffet (Inclusive of swimming) at a minimum fee and unlimited swimming time. The price range start from kshs 1200 to kshs 2100 lunch buffet and swimming. This deal caters to family who want to spend an afternoon swimming and enjoy a good meal. All the deals are always for Saturday and Sunday only.

So if you ever find yourself with no Sunday plans call your nearest hotel and ask them for Sunday special deal. You will be surprised by the good deal you get.

Sights and Sounds of the beach :


Jina langu ni Abdulrahman Ndegwa

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Abdulrahman blogging.

Your name and what do you do?

My name is Abdulrahman Ndegwa and I use the pen name Abu Amirah in all my blogs. I write but work as an Admin at an Islamic information centre to pay the bills! Currently am running two blogs, a weekly column right here at LIM and also part of a pioneering group of writers representing the Coast under the banner tendi.org.

Tell us more about your move to Mombasa?

I moved here in the fall of ’07 right after the elections. My move wasn’t because of the PEV violence but it was a calling of sorts because I felt Mombasa, with its distinguished Islamic signature and identity would be the right place for me since I had embraced Islam that same year. I really wanted somewhere I could start over as Abdulrahman as compared to being in Nairobi where everyone knew me as Dennis.

What made you revert to Islam?

I would say it was because I was at a critical stage in my life when I was trying to come into terms with my spirituality and purpose in life. I considered Rastafarianism because it really advocated for peace and humility but there never was a significant difference between it and the outlawed Mungiki so I shun the idea. Up to then, I had never considered Islam or even researched about it. One Saturday evening my young bro came with a piece of paper some Muslims had dished out in the bus. On it was the shahada (declaration of faith) in Arabic and Kiswahili and for some reason the phrase just ignited something in me and on Sunday morning I walked into the local Masjid and became a Muslim!

Have you faced any difficulties after accepting Islam?
Well, nothing major to write home about because my family has been very supportive and we respect each other’s religious identities. Am the only Muslim in my family and it gives me a lot of joy when am with my folks and little cousins and they are using “In Sha Allah” and “Masha Allah” and making light jokes about my beard (a note to Uncle Kenny: ndevu ishafika kifuani!). I mean, it’s a blessing to have such a wonderful family. I meet New Muslims every day in our centre and some of their stories are very moving, with some even getting chased away from home just because they embraced Islam.

The way I see it, if someone goes home and tells his family that he has joined the freemason, he stands a higher chance of getting accepted than when he becomes a Muslim. Sad but true.

Why do you write?

I write because it’s a God given talent. Because it is through writing that am able to adequately reconcile the voices in my head to put their heads together (tadaaa!) and come up with something readable and fascinating. Because it is through the written word that History is preserved for future generations.

I write because the process of coming up with characters and putting them down in a story gives me immeasurable gratification when I see them assume lives of their own which resonates with the reader’s own experiences. I write because I love to and if this was a drug then I would be a desperate junkie!

What does it mean to be a writer in Mombasa?

Being a writer in Mombasa is an immense challenge because we write from the back drop of a rich cultural history which was the impetus of our National language and needs to be preserved well. The minor challenge is writing or re-writing this history without losing its meaning and the major issue is writing to a generation and society that has a dismal reading culture. A writer in Mombasa has to compete for attention amongst people who prefer listening and watching to reading. Getting the point across such an obstacle is not easy.

What motivates you to write?

I am motivated by real life stories and a myriad of other things in nature. For a writer, anything, however vaguely mundane it may seem, is enough to motivate and inspire one to write. My wife too is a huge motivation because she is my biggest fan and critic. She reads my stories (she read ‘my ideal woman’ in my blog before I married her) and offers very beneficial input. If I was to write for her I would do every passage a thousand times over!

Any artist will tell you that the biggest motivation is having a spouse/partner who supports and appreciates what you do because talent is innate and even if everything is stripped from you, it will always remain intact and true! An artist and his trade are inseparable.

Mombasa is diverse city do you feel that tribalism present in Mombasa?

Tribalism is rampant everywhere and Mombasa is not an exception especially because we are ardent political debaters and the issue of tribe is wont to rise in our conversations.

In its diversity, Mombasa is still rising from the ashes of marginalization and the only thing that suppresses tribalism talk is the commodious ethno-lingual culture which tends to be very welcoming, and the youth of today are using it to combat this tribal vice.

Tell us something personal about you people may be surprised to know?

Haha, this is hard. Ummmm, I don’t know, I guess it is classified info, ‘for her eyes/ears only’ and I may have to literally shoot you if I tell you. (Copied from a movie I watched kitambo). But yenyewe I don’t think I have anything surprising enough to make your heart skip a beat, am simple like that!

Parting shot
My parting shot is to all artists (writers, bloggers, photographers, poets, et al) in Mombasa. We are faced with a crisis of putting across the right message to our audience. We have to work together to create credible, fascinating and entertaining content that is appropriate for all audiences and age groups.

Jamila is doing a great job uniting artists in Mombasa and we can use this to create more awareness and appreciation for our content. Let us stop this ‘art drain’ where artists from the Coast have to relocate to places like Nairobi to be appreciated. Ni hayo tu kwa sasa!